Sound Equipment Hire

Small PA system with 2 × 8" speakers on stands a cable microphone and  microphone stand.Powered by a small mixer amp. Suitable for 50 people presentation.

• Hire 24 hours £ £50.00
• Set up for the day  £45.00
• Delivery and collection each way £0.50 per mile

Medium PA system with 4 × 8" speakers on stands with 1 radio microphone and a microphone stand.Controled by a 400 watt mixer amp. Suitable for 100 people presentation

• Hire 24 hours £ £85.00
• Set up for the day  £50.00
• Delivery and collection each way £0.50 per mile

Many other systems can be provided as required, for events up to large concerts and presentations. Please call for quotations

 The Tascam CD-01U Professional is a professional CD player, it is designed to fit into one rack space. with balanced analogue and digital outputs – The CD-01U Pro has an RS-232 control port available for programming with AMX and Crestron systems. It feature MP3 playback, 20-second shock protection and pitch controls for flexible performance. Naturally, it use reliable TASCAM slot-loading CD transports for years of trouble-free use, making the CD-01U Pro the new standards for compact CD playback

 Has full MD editing controls, MD LP gives up to 320 minutes of stereo recording on a single disc.

 10 seconds of anti-shock memory per deck Instant start Seamless loop Auto cue to music start Selectable pitch range ±8% or ±16% Large LCD screen with wide angle view Pitch display Relay play Program facility up to 30 tracks per deck Frame and fast mode search S/PDIF digital audio RCA coaxial output Remote start with tact switch option Laser saving sleep mode if unused for 30 minutes Original Sony lasers Reads CD-R and CD-RW discs

 find the details of the DTC-750 DAT recorder here

The Yamaha QL1. The Quintessential Compact

The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.

Rio3224-D 

Midas's Compact M32 digital desk amp and speakers system

When you are looking for a compact solution our new Midas M32R is brilliant . In just a 19" desk and an eight U rack you can have a 32 microphone input desk with loads of features . In our compact system the desk  all the power amps and speakers  to run a punchy compact main pa as well as  4 monitor sends over 4 wedges. Add to this, all the interconnections between the stage and the desk are handled by a single cat 5 cable, you have a real winner.  when transport is limited ,It all goes into a Kango! 

The Yamaha ls9 32 is a state of the art digital mixing desk 

It is intuitive and fast to use .Note we also have 2 × 16/8 digital stage boxes to go with it if required, bringing the total mike input to 64

The Yamaha M7Cl 48 is a state of the art digital mixing desk.

This is intuitive and fast to use .Besides the desk which can be used stand alown, we also have 3 × 16/8 digital stage boxes to go with it if required

This is a complete 7200 system

It has 2 processor and 2 control desks providing 40 mic inputs with 2 control channels for each .For more information click here This is an extremely compact foh and monitor desk system.It comes complete with a 100 m interconnect between the processors and the desks

Briefly this is a great small compact desk with 8 mono and 4 stereo channels with excellent facilities.

In more detail, the Venice is Midas'  compact console does exactly what you would want from a Midas, it provides a high quality solution in a vast number of applications where before the Venice, Midas was not an option. The applications range from small conference to small live band

For example 4 mikes on the drums, 4 mikes on vocals, 2 mikes on guitars, a di on the bass and a di on the keyboard

As part of a complete small mobile system, it also provides a practical feature set for live acts who need up to 4 monitor mixes and 2 post fade sends for effects. It is compact enough to fit in the most cramped area and still provide excellent features .

As you would expect, "Midas" has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, as they do on their big consoles. The simple but intuitive controls of the console make it extremely quick and easy to use.

Midas Venice 160 Specifications

Features and Specifications

Mono-Inputs (Mic/Line) with Inserts  8

Stereo-Line/Mono-Mic-Input Channels 4/4

Stereo-Effect-Returns (Line) 4

Stereo-Tape-Return (Line) 1 left/right

Busses 15

Subgroups 4

Aux Pre-Fader (Monitor) 2

Aux Post-Fader (Effects) 2

Aux switchable Pre/Post-Fader 2

Master L/R 2

Mono-PFL 1

Stereo-AFL 2

Outputs

Subgroups (with Inserts) 4 impedance balanced 1/4 inch jacks

Aux Pre-Fader (Monitor) 2 XLR (balanced)

Aux Post-Fader (Effects) 2 impedance balanced 1/4 inch jacks

Aux switchable Pre/Post-Fader 2 XLR (balanced)

Master (with Inserts) 2 XLR (balanced)

Master B Out (switchable Mono/Stereo, pre-post Fader) 2 XLR (balanced)

Tape Send (Recording) 1 Stereo (Phono)

Direct Outputs (1/4 inch Jack) 8

Stereo-Headphones 2 Stereo-1/4 inch jack

Stereo-Speakers 2 impedance balanced 1/4 inch jacks

As With the Venice 160  this is a great small compact desk but it has 24 mono and 4 stereo channels with excellent facilities.

In more detail, the Venice is Midas'  compact console does exactly what you would want from a Midas, it provides a high quality solution in a vast number of applications where before the Venice, Midas was not an option. The applications range from larger conference to substantial live band

For example 8 mikes on the drums, 4 mikes on vocals, 2 mikes on guitars, a di on the bass ,a few di on the keyboard and a brass section, along with stereo retunes for the effects on main channel faders

As part of a complete small mobile system, it also provides a practical feature set for live acts who need up to 4 monitor mixes and 2 post fade sends for effects. It is compact enough to fit in the most cramped area and still provide excellent features .

As you would expect, "Midas" has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, as they do on their big consoles. The simple but intuitive controls of the console make it extremely quick and easy to use.

Midas Venice 320 Specifications

Features and Specifications

Mono-Inputs (Mic/Line) with Inserts  24

Stereo-Line/Mono-Mic-Input Channels 4/4

Stereo-Effect-Returns (Line) 4

Stereo-Tape-Return (Line) 1 left/right

Busses 15

Subgroups 4

Aux Pre-Fader (Monitor) 2

Aux Post-Fader (Effects) 2

Aux switchable Pre/Post-Fader 2

Master L/R 2

Mono-PFL 1

Stereo-AFL 2

Outputs

Subgroups (with Inserts) 4 impedance balanced 1/4 inch jacks

Aux Pre-Fader (Monitor) 2 XLR (balanced)

Aux Post-Fader (Effects) 2 impedance balanced 1/4 inch jacks

Aux switchable Pre/Post-Fader 2 XLR (balanced)

Master (with Inserts) 2 XLR (balanced)

Master B Out (switchable Mono/Stereo, pre-post Fader) 2 XLR (balanced)

Tape Send (Recording) 1 Stereo (Phono)

Direct Outputs (1/4 inch Jack) 24

Stereo-Headphones 2 Stereo-1/4 inch jack

Stereo-Speakers 2 impedance balanced 1/4 inch jacks

The Verona is the desk the industry has been asking Midas for.

It takes the concept of the ultra-compact Venice, Midas’ best selling console of all time, and elevates it to the next level. Verona delivers more inputs, more features, along with legendary Midas quality in a package that revolutionises the 8 buss market. Visually, the console looks stunning; despite it’s physically modest proportions, it feels like a full-sized Midas to work on; and of course, most importantly of all, it sounds as good as it looks.

It is a truly professional desk for the professional market. If you want audio quality, rigid mechanical construction, long-term reliability then it is te desk for you.

The Verona in our stock has 56 inputs, and incorporates all the features and components that make it look, sound and feel like a true Midas. It has been designed from the ground up by the same team responsible for the XL4 and the Heritage Series consoles, including the industry-standard Heritage 3000.

The Verona will handle anything from houses of worship to broadcast / recording, theatre to corporate applications, and of course concert sound.

This desk has

EQ: 4 band 

Channel Inserts: front panel switchable 

SIS panning 

8 Audio subgroups 

8 Aux outputs 

4 Mute groups 

8 Multi function channels 

12 × 4 matrix 

Internal PSUs 

For mor information look at the Midas XL200 zip file

Frame sizes: 32+4 MH3/4 mic amp design with 50dB range plus -20dB level shift and separate 1/4" Line input Swept high-pass filter and 4-band EQ (all bands swept) 10 Auxes, of which 2 can be switched to create 1 x stereo send Pre/post fader switching in pairs (except 5-8 as one block of 4) 8 full-time Group busses with paired routing LCR panning on inputs-mix 8 VCAs and 6 Mute Groups 4 Stereo Input channels with mic/line capability 4 stereo line returns with 3-band fixed EQ, returns can route to output channels 11×4 Matrix built-in 10 x linear 60mm output faders, plus 8 rotary output faders with SWAP facility to allow linear faders to control either all 10 Auxes or 8 Grps and 2 Auxes Inserts on Groups and Mix outputs (Group insert moves between Grp & Aux) 12-segment Input and Output metering Central assignment of VCA Groups, with individual LED displays per channel. Look at the Soundcraft website for more information

The L-12 12 Channel Compact Mixer with Digital Effects is packed with features that can not be found in other consoles of its size: 6 mono (these are provided with Ultra Low Noise microphone pre-amplifiers and Phantom Power at +48 Volt) and 4 stereo input channels, and each of them is provided with warm, natural EQ (channel1-4 are mono channels and equipped with 3 band MID sweep EQ; channel 5-12 are stereo channels and equipped with 4 band fixed frequency EQ); 4-AUX sends; a 24 bit digital stereo effect processor with 256 presets; There are highly accurate 12-segment bar graph meters; 2-Track inputs assignable to main mix, control room / headphone outputs; subgroups output .Have a look at the Alto L12 web site for more information

Powerpod 740

this unit provides, 400 watt (200 watts per channel) and has 7 balanced microphone inputs with 3 band eq on each channel .It features a 7 band overall stereo equaliser and has a 16 programme digital effects processor. The Powerpod 740 can also be set to 200 watts main output & 200 watts monitor output for live use.

Various units available from Lexicon



For more information look at the Lexicon web site

Art,Korg and Behringer

Various units available from Drawmer Alto Dbx Phonic and Behringer

Various units available from Alto and Behringer amongst others

Various units available from Yamaha



Yamaha's q231b is a classic dual 31 band graphic with a variable high pass filter. For more information look at the Yamaha web site

Peavey

 

The Q 231 is a dual 31 band Graphic.

Behringer

 

The DEQ2496 is a whole rack of flexible equalization, dynamics and time correction functions designed to fix problems and generally optimize sound quality. Here are a just few examples:

• Dual 31-band Graphic Equalizers (stereo linkable)
• Dual 31-band Virtual Paragraphic Equalizers (stereo linkable)
• Dual 10-band Parametric EQ’s per stereo side
• Dynamically-activated EQ
• Feedback Destroyer with Learning Mode
• Stereo Imager
• Compressor/Expander
• Limiter
• Digital Delay
• RTA/SPL/FFT Analyzer with Auto EQ function

XTA system controller

 

For more information look at the XTA 226 system manual

DSM-260 system controller



For more information have a look at the marani website

Behringer ULTRADRIVE PRO DCX2496 digital loudspeaker management system

 

For more information have a look at the Behringer web site

2 x Cs 800 s power amps with internal variable 2 way crossovers



1 x Ultra curve pro

 

set up to drive

4 × 8ohm bass cabinets (2 per side)

4 × 8ohm mid top cabinets (2 per side)

3 x Cs 800 s power amps



1 x XTA system controller



set up to drive

2 × 4ohm bass cabinets at 1200 watt rms each

2 × 4ohm mid cabinets at 300 watt rms each

2 × 8ohm top cabinets at 200 watt rms each

2 x Cs 1400 s power amps



1 x Cs 4000 s power amps



1 x DSM-260 system controller



  set up various arrangments, total output up to 6.8 Kw

A variety of stereo power amplifiers are also available

IMG STA 800D

The new generation of digital PA amplifiers from IMG Stage Line impresses with a high power capability and high energy efficiency. Other features include a silent operation and a low weight which make this series suitable for both fixed installations and mobile applications.

• 4 Ω 2 × 400 WRMS  2 × 470 WMAX
• 8 Ω 2 × 210 WRMS 2 × 270 WMAX
• General information    
• Inputs
• 1 V/10 kΩ (XLR, bal.),
• 1 V/4.7 kΩ (RCA)
• Frequency range m 20-20,000 Hz
• S/N ratio > 110 dB, A-weighted
• THD < 0.004 %
• Power supply 230 V˜/50 Hz/920 VA
• Dimensions 482×298×52 mm, 1 RS
• Weight 3 kg

alto MAC2.2



Stereo Mode:

• 2 × 350W 4 ohm (RMS) 2 x 230W 8 ohm (RMS)
• Bridge Mode:
• 1 × 710W @ 8 ohm (RMS)
• Binding post and Speakon output connectors
• Excellent sound quality and frequency response
• High fidelity and low noise
• S / N Ratio: 100dB
• Damping Factor: >100 at 1kHz

PV® 1500

• 500 Watts RMS per channel into 4 Ohms, 300 Watts RMS per channel into 8 Ohms.
• 1000 Watts RMS into 8 Ohms bridged.
• LED indicators for input signal, DDT™ and power.
• 2 built-in 150 Hz crossovers.
• 40 Hz low cut filter.
• Volume control per channel.
• Dual-speed fan with Turbo V-Cooling™ technology.
• DDT™ speaker protection.
• 2U space rack.

PV cs 1400

• 700 Watts RMS per channel into 2 Ohms
• 500 Watts RMS per channel into 4 Ohms
• 330 Watts RMS per channel at 8 Ohms
• 1400 Watts RMS into 4 Ohms bridged
• LED indicators for input signal, DDT™ and power
• Combo XLR and 1/4'' (6.35mm) input connectors
• Binding post and Neutrik® Speakon® output connectors
• Two dual speed fans
• DDT™ speaker protection
• 2U space rack

Two way “line array” speaker QSA210

The QSA-210 is a two way passive line array speaker featuring Two 10” neodymium magnet woofers and Two 1” exit (1.7” voice coils) neodymium magnet HF drivers. A single QSA 210 cabinet handles 500w RMS at 8 ohms and delivers 127dB SPL. The system is based on a totally new technology:The Isophasic Plane Wave Generator.The Isophasic Plane Wave Generator utilizes path length equalization technology, which generates planar wave fronts over a wide operating band.The higher frequencies pass thru as rays, while at lower frequencies the refractor lens represent a close spaced array of diffraction slots. The result is a line shaped source evenly distributed within the cabinet as well as within the linearray. It allows high power and precise line arrayperformance to be generated from a column of biamped cabinets just 60 cm ( 23.6”) wide.

The cabinet is designed for extremely quick set-up and the included two point flying hardware provides Two different settings (0° and 5°) to allow the creation of a straight line array and curved clustering (J-Array). The express bar is designed for sturdy fly mounting as well as ground-stacking the cabinets.

PAK-415 active full range speaker

The PAK-415 is well suitabled for a wide range of applications , It features state of the art modern technologies  The amplifier system is a combination of class D for the bass and class A/B for the tweeter. It has  4 selectable presets: normal, hi-fi, DJ and voice, These make it is easy to find the perfect sound .The additional 75 Hz high-pass filter is gteat for removing any low frequency rumbles in the vocals, Thes can also be used with additional subwoofer systems to give them even more depth. 

Active power PA speaker system with 2-channel amplifier, 450 W

• Compact and light weight 15/2 full range system 
• State of the art amplifier system (bass: class D, tweeter: class A/B)
• Sound pressure at rated power: 124 dB
• 4 selectable presets: normal, hi-fi, DJ and voice, switchable high-pass filter: 75 Hz
• XLR and jack inputs XLR through
• Mic/line input, switchable
• Ground swithch
• Angled side for use as a floor monitor
• Stand sleeve
• carrying handles on the sides and one on top

The new Turbosound iNSPIRE 2000 modular column speakers are ready for action. The cardboard boxes have done their job, keeping them safe on a few jobs. Now the Turbosound transport bags have arrived and extremely smart they look. The bags make the system very easy to handle with cut outs for the pair of grip handles on the sides of the bass cabinet and a shoulder strap as well as a strap handle on the mid top bag .

The system is very easy to set up, you just put the bass cab on the floor, mate the bottom of the “A” mid top section with it, then put the “B” mid top section into the socket/spigot on the top of the “A” section, connect the power and signal and that’s it. Very clean and uncomplicated. The description is more complicated than actually doing it!. The whole arrangement has now been made even simpler as I now use combined power and signal cables so there is no need to run two cables, a power cable and a signal cable to each system.

When you hear the Turbosound iNSPIRE 2000 you don’t expect the big sound they produce to come from such a neat system. The other things which are actually very significant to what they can be used for, are the dispersion and the drop off characteristic .Over the mid, (vocal) range and Hf; the coverage angle sounds as though its over 120 degrees  and as the system is a good approximation to a line array in this frequency band, the drop of with distance is significantly lower than a point source system

Technical Specifications

Amplifier

• Maximum output power*            1000 W
• Type      Class-D
• Protection           Short circuit, open circuit, thermal
• Amplifier channels           3

Connectors

• Input A / B           2 x combo jack / XLR
• Sensitivity           4 dBu, nominal
• Input impedance              16 kΩ unbalanced, 33 kΩ balanced
• Maximum input level     +22 dBu
• Link output         XLR
• Mains supply     IEC mains connector with integrated power switch

Controls

• Hardware            Rotary push-encoder
• Software             iOS interface via Bluetooth
• User DSP Functions
• Factory EQ presets          Positioning, Sound mode
• Display  LCD 128 × 32, blue, backlit
• Equalisation        Bass, middle and treble
• Protection           Lock-out function for all settings

Bluetooth Wireless Technology

• Frequency range              2402 MHz ~ 2480 MHz
• Channel number              79
• Version Bluetooth 4.0 dual mode
• Output 8 dBM
• Compatibility     Supports A2DP 1.2 profi le
• Maximum communication range               30 m (without interference)
• Connectivity       Master-slave: stereo pairing lin

Power Supply

• Power consumption       110 W @ 1⁄8 max power
• Voltage (fuses)
• USA / Canada / Japan     100-120 V~, 50/60 Hz (T 6.3 A H 250 V)
• UK / Australia / Europe  220-240 V~, 50/60 Hz (T 3.15 A H 250 V)
• Korea / China     220-240 V~, 50/60 Hz (T 3.15 A H 250 V)

Enclosure

• Dimensions (H x W x D) 2063 × 420 × 500mm (81.2 × 16.5 × 19.7")
• Base      485 × 420 × 500 mm (19.1 × 16.5 × 19.7")
• Tower   834 × 103 × 89 mm (32.8 × 4.0 × 3.5")
• Net weight          30.9 kg (68.1 lbs)
• Construction, base          15 mm (5⁄8") birch plywood
• Construction, tower        Aluminium alloy
• Finish    Semi matt black paint
• Grille     Powder coated perforated steelGrille     Powder coated perforated steel

2 ×12" horn loaded mid 200 Hz to 2kHz 4 ohm and 1 × 2" horn loaded top 2 kHz to 20kHz 8 ohm frame enclosure (high sensitivity)

2 ×12" mid 200 Hz to 2kHz and 1 × 2" horn loaded top 2 kHz to 20kHz 8 ohm (high sensitivity)

• 2-way vented enclosure Nominal Impedance
• 8 ohm Input power rating (continuous): 600 W
• Input power rating (peak): 1200 W
• Frequency response :55Hz – 18kHz (-6dB, +6dB)
• Sensitivity :101dB 1W/1m Maximum (peak) Output :131 dB 1m
• Low Frequency Device :2 × 12'' woofer – 3'' voice coil
• High Frequency Device :1.4'' throat – 3'' titanium voice coil

• 2-way vented enclosure
• Nominal Impedance :8 ohm
• Input power rating (continuous) :200 W
• Input power rating (peak) :400 W
• Frequency response :65Hz – 18kHz (-6dB, +6dB)
• Sensitivity :97dB 1W/1m Maximum (peak) Output :123 dB 1m
• Low Frequency Device :10'' woofer – 2'' voice coil
• High Frequency Device :1'' throat – 1.4'' voice coil

• System type :2-way vented enclosure
• Nominal Impedance :8 ohm
• Input power rating (continuous) :160 W
• Frequency response :65 Hz – 20 kHz
• Sensitivity :97 dB 1 W/1 m Maximum (peak) Output :126 dB 1m
• Low Frequency Device :8'' woofer
• High Frequency Device :1'' compression driver
• Angolar coverage :90° H x 60° V

The EDGE8CXP is a diffusion system with the characteristics of being truly compact and versatile. The custom made co-axial speaker has been developed on the specifics of the PROEL Research and Design laboratory. The results have been aimed at producing the best performance from an 8'' woofer combined with a 1'' driver. The woofer is comprised of an ISV (Interleaved Sandwich Voice Coil) and an aluminium casing. The double ventilated die-cast basket has been designed the have improved heat dissipation and thereby reduce the power compression level. The compression driver provides better excursion control and reduces distortion through use of Ferro-fluid.Coaxial 2-way vented enclosure.  For more information have a look at the Proel web site

• Nominal Impedance: 8 ohm
• Input power rating (AES): 225 W
• Input power rating (program): 450 W
• Frequency response: 80 Hz – 20 kHz (-6dB, +6dB)
• Sensitivity: 95 dB SPL ( 2.83V 1m )<br /> Maximum (peak) Output: 121 dB 1m
• Low Frequency Device: 8'' woofer – 2'' voice coil
• High Frequency Device: 1'' compression driver – coaxial
• Coverage Angle H. (-6 dB): 85° averaged, 1 kHz to 20 kHz
• Coverage Angle V. (-6 dB): 85° averaged, 1 kHz to 20 kHz
• Monitor Taper: 45°
• Directivity Index (DI): 9.7 averaged, 1 kHz to 20 kHz
• Flying System: 4 x M10 – top, bottom, rear
• Connectors: 2 Neutrik Speakon NL4MP paralleled, 1+ IN+, 1- IN-
• Construction: 15mm birch plywood
• Finishing: Paint finish
• Cabinet Colour: Black
• Mounting Pole: 1 x bottom
• Weight: 10 kg (22.050 lb)
• Dimensions (W x H x D): 26 × 33 × 28 cm
   

Full range cabinet with 1 × 15" 1 × 6 1/2 " and horn 8ohm . Good bass response and high output

18" Bass cabinet with excellent low frequency output 32 to 200 Hz 600 watt rms 8 ohm 98 dB 1 watt 1 meter

15" Bass cabinet with excellent low frequency output 38 to 200 Hz 600 watt rms 8 ohm 98 dB 1 watt 1 meter

• System type :Sealed 5' bass horn
• Nominal Impedance :8 ohm
• Input power rating (continuous) :600 Watt rms
• Frequency response :65 Hz – 200 Hz
• Sensitivity :100 dB 1 W/1
• Low Frequency Device :15" woofer

• System type :ported 15' bass with 1" horn
• Nominal Impedance :8 ohm
• Input power rating (continuous) :300 Watt rms
• Frequency response :65 Hz – 18 kHz
• Sensitivity :96 dB 1 W/1
• Low Frequency Device :15" woofer
• High Frequency Device :1'' compression driver
• Angolar coverage :90° H x 60° V
• can either be used on floor as monitor or on stands for small main pa

• System type :2-way vented enclosure
• Nominal Impedance :8 ohm
• Input power rating (continuous) :300 W
• Frequency response :65 Hz – 20 kHz
• Sensitivity :98 dB 1 W/1 m Maximum (peak) Output :126 dB 1m
• Low Frequency Device :12'' woofer
• High Frequency Device :1'' compression driver
• Angolar coverage :90° H x 60° V

5 meter 2.5 mm sq 4 core cable terminated in 4 pole speacon connectors

10 meter 2.5 mm sq 4 core cable terminated in 4 pole speacon connectors

25 meter 2.5 mm sq 4 core cable terminated in 4 pole speacon connectors

2 x Cs 800 s power amps



2 x peavey stereo 31 band graphics



set up to drive 4 monitor speaker systems

2 x PV 1500 power amps



2 x Ultra curve pro



set up to drive 4 monitor systems

3 x Cs 800 s power amps



3 x Yamaha stereo 31 band graphics



set up to drive 6 monitor speaker systems

1 × 12" and 1" horn wedge monitor 300 watt rms 8 ohm

• Woofer 1 × 38cm (15")
• Tweeter 4.4cm (1.75") Titanium
• Power rms 300W
• Connectors 2 x Speakon® NL4
• Dispersion H: 90°, V: 60°
• Frequency response 50Hz – 18kHz (-3dB)
• Impedance 8 Ohms
• SPL @ 1W/1m 97dB
• SPL max. 122dB (±3dB)
• Dimensions 490 × 670 × 390mm
• Weight 30kg

Xlr fmale to Speacon wired speacon circuit 1

Speacon to Speacon 5 meter 2.5 mm sq 4 core cable terminated in 4 pole speacon connectors

A converter cable for 16 amp CEE plugs to 13 amp 4 way socket, for indoor use only.

A converter cable for 16 amp CEE plugs to 13 amp socket, for indoor use only.

A converter cable for 13 amp plug to 16 amp CEE socket

16 amp CEE plug to 16 amp CEE socket cables 25 meters long

Four Way Extension Board – Black 10m

Four Way Extension Board – Black 1m

A female IEC lead with a 13 amp plug fitted

8’ telescopic stand

Peavey 50 yard multicore with 24 sends and 8 returns

Peavey 50 yard multicore with 36 sends and 12 returns also has 10 yard stage spur for monitor desk

Proel 50 meter multicore with 36 sends and 12 returns also has 10 meter stage spur for monitor desk

The Shure SM58 is a unidirectional (cardioid) dynamic vocal microphone for professional vocal use in sound reinforcement and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath “pop” noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock-mount system, and a steel-mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals worldwide. SM 58 user guide

The Shure Model SM87A is a professional-quality, hand-held condenser microphone for use in sound reinforcement, broadcasting, and studio recording installations. Its super-cardioid polar pattern provides greater rejection of unwanted sound sources, making it ideal for miking individual instruments in a multi-microphone setting or for miking single sources in a reverberant or noisy environment.The SM87A features a controlled low-frequency roll-off tailored for optimum performance when close-miking sound sources. An integral three-stage wind and pop filter protects against wind and breath noise. Its built-in shock mount reduces stand and handling noise. The SM87A operates on phantom power SM 87 user guide

The Shure BETA 57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The BETA 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals. Beta 57 user guide

The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. SM 57 user guide

With superior sound quality for the most exacting reproduction of vocals and instruments, this super-cardioid condenser microphone is one of the most valuable and effective sound-reinforcement and recording tools available. Designed with a flat frequency response of 40 Hz to 20 kHz, a wide dynamic range and -45 dB sensitivity. – Very effective super-cardioid directional pattern – 500 ohms balanced – Flat frequency response of 40 Hz – 20 kHz – -45 dB sensitivity – 128 dB maximum SPL – 20 dB (typical) front to back rejection – Powered from any 9-52 volt phantom power source – Rugged Brass Handle – Black powder coat finish – Includes swivel adapter, and windscreen – Permanently polarized condenser element (back-electret type) – Wide dynamic range – Weight Packed: 1.14 lb(0.516 kg) – Width Packed: 4.75"(12.065 cm) – Height Packed: 11.75"(29.845 cm) – Depth Packed: 3"(7.62 cm)

The CM1™ is a handheld condenser microphone with a cardioid polar response, medium-format element and dual-layer pop filter to reduce pops and wind noise. Ideal as a main or support microphone in studio and live applications, this condenser has a frequency response of 50 Hz to 16 kHz and 136 dB maximum SPL. – Back-electret condenser microphone. – Simulated electronic tube response. – Cardioid unidirectional polar pattern. – Frequency response: 50 Hz to 16 kHz. – Sensitivity: -43 dBV/Pa (7.1 mV/Pa). – Maximum SPL: 136 dB at 1 kHz (THD < 1%). – Three-pin XLR connector. – Dimensions (HxWxD): 9.062" (230 mm) x 11.375" (289 mm) x 3.25" (82.5 mm) packed

Peavey 520 bass drum microphone . Very good cardioid bass microphone

For further info click here

Designed for critical home/project/professional studio applications and live performance, this 30 Series large-diaphragm side-address cardioid condenser delivers exceptional detail and low noise. With its extended low-frequency response, the AT3035 produces rich, full sound reproduction and handles extremely high sound pressure levels with ease. Tailored for a smooth, natural sound, this mic is a perfect complement for digital recording equipment. Along with its rugged construction and high-performance specifications, the AT3035 provides an exceptional level of consistency from model to model.

• Custom-engineered large diaphragm for exceptional detail and low noise
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
• High max SPL, wide dynamic range and optimized output level provide unmatched versatility
• Low self-noise (12 dB SPL) – perfectly suited for today's most sophisticated digital recording equipment
• Extended low-frequency response for rich, full sound
• State-of-the-art surface-mount electronics ensure compliance with Audio-Technica's stringent consistency and reliability standards
• Custom shock mount provides superior isolation
• Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad

For further info click here 

The studio-quality AT3031, a low-profile cardioid condenser microphone from Audio-Technica's renowned 30 Series, is known for a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise (16 dB SPL) is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer.

• Outstanding performance and versatility
• High max SPL and wide dynamic range
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
• Low self-noise (16 dB SPL) – perfectly suited for today's most sophisticated digital recording equipment
• Flat, extended frequency response
• Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad

The JTS CX-509 Condenser Microphone is a compact low profile microphone designed for versatile placement around the sound source. Its wide frequency response, low noise characteristics, low distortion have made the JTS CX-509 a popular choice in studio and performance applications. Excels as an Overhead Cymbal and Hi-Hat microphone as well as for Tom Toms, Percussion, and Acoustic Guitars.

All our JTS 1000 radio microphone systems are all on "channel 38 shared user licenses" so there is much less of an interference problem than on the more common deregulated band channels.The hand held transmitter unit is particularly robust and runs on 2 x aa alkaline cells for up to 8 hours making them cheep to run



for more information on the Mh-8990i transmitter click here



for more information on the US-1000D receiver click here

All our JTS 1000 radio microphone systems are all on "channel 38 shared user licenses" so there is much less of an interference problem than on the more common deregulated band channels.The beltpack transmitter unit is also particularly robust as it has a steel sleeve. It also runs on 2 x aa alkaline cells for up to 8 hours making them cheep to run



for more information on the PT-990B belt pack transmitter click here



for more information on the US-1000D receiver click here

Lapel microphone

The JTS cm 201 lapel is a miniature condenser microphone terminated with a 4 pole miniature xlr connector suitable for use with the PT-990B belt pack . It has an Omni-directional pick up pattern with a wide dynamic range and frequency response .It has no proximity effect and a Low profile design, making it excellent for use in sound reinforcement applications.



for more information on the cm 201 lapel microphone click here

Headset microphone

The Proel HCM08PRO is a flexible miniature microphone with a simple, fast and comfortable headset system. The double vent protection system of the HCM08PRO makes it ideal for use in theatre and spoken word applications. The very small size and the super light-weight provides a comfortable and secure fit when a discreet, minimum visibility microphone is required. The 3 di‹fferent adapters included in the package allow for use with most professional wireless systems currently available.



for more information on the HCM08PRO contact us

The use of a "Direct injection box" is always recommended to provide optimum signal transmission from musical instruments to the mixer . By using a transformer coupling and galvanically isolating Input and output, interferences due to matching problems, e.g. hum loops, are prevented.

Facilities provided

• 3-fold attenuation switch (0/-20/-40dB)
• Ground lift switch
• Instrument feed-through output
• Wideband balancing transformer
• Robust metal housing

• High quality Neutrik® metal XLR connectors with nickel contacts.
• High density shield for maximum flexibility and noise prevention.
• 24 AWG (0.6mm dia) twisted pair, shielded cable.

• High quality Neutrik® metal XLR connectors with nickel contacts.
• High density shield for maximum flexibility and noise prevention.
• 24 AWG (0.6mm dia) twisted pair, shielded cable.

• High quality Neutrik® metal XLR connectors with nickel contacts.
• High density shield for maximum flexibility and noise prevention.
• 24 AWG (0.6mm dia) twisted pair, shielded cable.

CTH 12 volt 100volt line mixer amplifier

This unit features 2 inputs one of which can be swiched between microphone input and line input. The unit has a 100v audio ouotput of 100 watts rms

Toa 30 watt 12 volt 100volt line mixer amplifier

This unit features 3 inputs for microphones and 1 line input. The unit has a 100v audio ouotput of 30 watts rms

The IPA 300T is a high performance 300 watt power amplifier designed to meet the needs of the most demanding fixed installation/PA applications. The convenient patch panel layout couple with state of the art circuit design, assures the reliable long term operation and smooth trouble free installation.  Seventy volt and 100 volt fully isolated line output capability is standard equipment. The IPA 300T has been packaged for standard 19" rack mount capability and occupies 5 1/4 inches of vertical rack space. For more information click here

Toa

Part Number : VP-1241

TOA V-1000 Series Power Amplifier, 240W (100V), 2 program, 2 priority inputs

for more information click here

Toa tu-25 25 watt 100v line horn driver (screw on horn driver) 6 off

Grampian 25 watt 100v line horn driver (screw on horn driver) 12 off

Toa re entrant horn for more detail click here 3 available fitted with toa tu 25 driver (25 watt 100v line)

Paso re entrant horn with bracket click here for more information and fitted with toa compresion driver  (15 watt 100v ) 

Besides the re entrant horns, we also have 12 off Grampian 42" horns available, these provide an improved sensitivity and frequency responce over re entrant horns.

3 meter aluminume pole on steel stake

thess are metal posts suported by a steel spike driven into the ground there are 6 posts available

10 meter windup tripod stand , you can do a large field in one go!

this stand can suppot up to 6 reentrasnt horns  .There is one of thes stands available